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If you sit with writers long enough, especially capable, thoughtful, high-achieving women, you start to hear the same frustration dressed up in slightly different clothes.
“I feel like I have too many ideas. Every time I start writing, I wonder if this is even the right book. So I switch topics. And then I get stuck again.”
Usually this is followed by a laugh that isn’t really funny and a sentence that sounds something like, “I don’t know what’s wrong with me. I just can’t seem to get traction.”
There is nothing wrong with you.
What you are experiencing is not a lack of writing skills or even creativity. It is almost always a clarity problem. And the reason it feels so heavy is that you are trying to move forward without knowing where you are actually going.
When clarity is missing, writing becomes exhausting. Not because you lack words, but because every word feels like it might be the wrong one.
Most people assume that writing a book will get easier the longer they work on it. You push through the initial discomfort, find your rhythm, and then momentum carries you the rest of the way.
But when clarity is missing, the opposite happens.
The more you write, the heavier it feels. Chapters blur together. You circle the same ideas. You over-explain because you are not sure what actually matters. You second-guess what belongs and what does not. And eventually, the book begins to feel like a tangled mess that you are no longer sure how to untangle.
That is usually the point where someone decides the topic must be wrong.
So they pivot.
And then, frustratingly, the same thing happens again.
One of the most common questions I get is, “Which topic should I pick?”
They believe that knowing the right topic will give them the clarity they are searching for. It seems like a topic problem on the surface, but it rarely is.
What I usually see instead is a woman trying to put too many eggs into one basket. She has lived a lot of life. She has learned things the hard way. She has stories, frameworks, convictions, and experiences that all feel important. So she tries to make the book hold everything.
When the book’s job is unclear, every idea feels equally urgent. Nothing has a filter. Nothing has a hierarchy. And without that, writing becomes an endless series of decisions you do not feel equipped to make.
Clarity does not come from choosing the perfect topic.
It comes from deciding what this book is meant to do and who it is meant to serve.
I see this most often with high-capacity women. The kind who are excellent communicators, strong leaders, and visionary thinkers. They can stand on a stage and align people with a shared vision. But when they sit down to write, all of that clarity seems to disappear.
The reason is not lack of skill. It is misclassification.
They do not realize that writing a book requires the same kind of clarity they already use in their business, their leadership, and their speaking. Instead, they put it in a different category. Something more personal. More creative. Less structured.
The result is a manuscript that is trying to be three books at once.
No wonder it feels hard.
I worked with a client I will call Denise. She came to me with the exact struggle I hear so often. Too many ideas. Constantly switching directions. Months of effort with very little progress to show for it. We spent one focused hour together doing nothing but clarifying the book’s purpose and audience. No chapter titles. No wordsmithing. Just answering the questions most writers try to skip.
Once she saw it, she could not unsee it.
She was not stuck because she lacked discipline. She was stuck because she did not know where the book was going. After that session, she created her outline and wrote her entire first messy draft in nine weeks.
Nine weeks.
She didn't suddenly have more time. Life didn't get quieter. The difference was that she finally had a clear destination. Every chapter had a job. Every story had a place. And when something did not fit, it did not send her into a spiral. It simply waited for another book.
I have watched this happen again and again, which is why I always come back to clarity first. It changes everything that follows.
I recognize this pattern because I lived it myself. For over a decade, I worked in institutional effectiveness and strategic planning in higher education. I helped organizations clarify goals, align efforts, and measure progress. Clarity was my job.
And yet, when I built my own company, I did not immediately apply that same skill to my work. It took hiring a strategy coach for me to realize I already had the expertise. I simply had not translated it.
Once I did, everything shifted. Goals that had once felt aspirational began to take shape. What had felt scattered became focused.
Books work the same way.
You do not need a new skill. You need to apply the one you already have.
When I was working on Facing the Fire, I wrote the first draft of the memoir chronologically. That is rarely the best structure for a memoir, but it was what I needed at the time. I knew the emotion we wanted the reader to feel, but I did not yet know what the book was meant to do.
After receiving thoughtful and firm editorial feedback, I spent an entire week doing nothing but praying about clarity and structure. That is when God gave me the image of Pat seeing himself in the mirror for the first time after his horrific accident. A true scene that became the heart of the book.
From that image came the structure as well. The mirrored framework that allowed the story to work together instead of feeling like a series of events.
Clarity did not box the story in. It held it together.
If you are nodding along and thinking, “This is exactly where I am, but how do I get this clarity of which you speak” don't worry, I recorded a full YouTube training where I walk through the questions every author needs to answer before writing another chapter.
In that training, I go deeper into how to clarify who your book is for, what change it is meant to create, and where it is meant to lead after the last page.
You can watch the training here.
Your book does not need to prove you are credible.
It needs to know where it is going.
Clarity first. The rest gets lighter after that.
📖 Ready to stop circling the same book idea and actually start writing?
If you are at the beginning of the process and want help getting clear on what your book is about, who it is for, and how to start, The Write Start was created for you.
It will walk you through the foundational clarity every author needs before writing another chapter.
✍️Already writing, but struggling to stay consistent or finish?
If you know what you want to say but find yourself stuck, second-guessing, or starting and stopping, Write It Anyway is for the author who is ready to build momentum and complete the manuscript.
This is where clarity turns into pages.
🕊️Want ongoing guidance as you write and publish your book?
The Published Pearl Newsletter is where I share weekly insight on writing, publishing, and stewarding the message God has entrusted to you.
No noise. No pressure. Just thoughtful guidance for authors who want to write with purpose and integrity.
If this post encouraged you or helped you see your book more clearly, feel free to share it with someone else who is carrying a message they have been hesitant to write.
The Published Pearl exists to serve authors who believe their book is more than content. It is calling, stewardship, and obedience.
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